Voodo Fé is a Rebellious Polymath born in Brooklyn to Haitian parents.

His work is forged from impact — shaped by survival, reconstruction, and reinforcement. What was once fractured is now structural.

He works primarily on wood for its edge, its grain, its resistance. Wood accepts damage and holds history. It can be cut, burned, pierced, rebuilt — and still remain load-bearing. That tension between imperfection and strength mirrors the internal transformation his work explores. Scar tissue, steel, and sobriety are not metaphors — they are lived experience. After decades of addiction, fourteen surgeries, and learning to walk again, Fé creates from a rebuilt body and disciplined mind. Ten years sober, he operates with clarity and force.

His paintings incorporate reclaimed materials — beer caps, bullet shells, industrial remnants — objects once destructive, now embedded as relics. Survival is not hidden; it is mounted. Yet the paintings are only one surface. Fé creates across mediums — sound, garment, graphic, and object. He builds music as atmosphere and architecture. He constructs clothing as wearable structure. He develops graphics as coded language. Every discipline feeds the same body of work.

He is not a traditional musician, nor a conventional fashion designer. He is a builder — of systems, of statements, of identity. He has created uniforms for professional athletes, designed championship fight gear, and collaborated with global fashion houses. His work lives in the collections of cultural figures across sport, music, and art.

For Fé, there is not a collection of artworks. There is one living piece — refined, reinforced, evolving.

Voodo Fé is not a trend. It is structure.

Different. Defiant. Free.